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  Praise for Tracking Time

  "Filled with wit and intelligence."

  —The Dallas Morning News

  "It all comes together in a suspenseful climax that tingles and tangles most satisfactorily ... well-plotted."

  —Kirkus Reviews

  "The strength of Glass's story lies in her cultivation of themes—broken families, culture clash, ambition and pride." —Publishers Weekly

  "[A] brash New York thriller.. . The writing style seems to fit the city's and heroine's characters."

  —The Post and Courier (Charleston, SC)

  "With a plot as real and frightening as today's headlines, nail-biting suspense, and palpable tension, Tracking Time is a classic page-turner . .. riveting."

  —Romantic Times

  "Glass's newest entry succeeds at all levels ... excellent." —BookBrowser

  "With each new work, the April Woo tales seem to get better ... Leslie Glass uses her beguiling heroine to provide a humanized police investigation that turns Tracking Time into a wonderful treat for anyone who enjoys a great story starring a strong individual."

  —The Midwest Book Reviews

  "This engrossing mystery is hard to set aside."

  —Pacific Reader Literary Supplement

  "An exciting and carefully crafted police procedural."

  —I Love a Mystery

  continued

  More praise for the novels of Leslie Glass

  "One terrific read." —Tami Hoag

  "Glass anatomizes relationships with a light touch of the scalpel." —The New York Times Book Review

  "Skillful... compelling . .. Weaving together divergent cultures and their people is one of Ms. Glass's strengths." —The Dallas Morning News

  "Detective Woo is the next generation descended from Ed McBain's 87th precinct." —Hartford Courant

  "Fast-paced, gritty . . . [April Woo] joins Kinsey Mill-hone and Kay Scarpetta in the ranks of female crime fighters." —Library Journal

  "Builds to an explosive climax as unpredictable and surprising as April Woo herself. A fresh, engrossing read." —New York Times bestselling author

  Perri O'Shaughnessy

  "An intense thriller. . . Glass provides several surprises, characters motivated by a lively cast of inner demons and, above all, a world where much is not as it initially seems." —Publishers Weekly

  "Glass not only draws the reader into the crazed and gruesome world of the killer, but also cleverly develops the character of Woo ... and her growing attraction for partner Sanchez." —The Orlando Sentinel

  "A masterful storyteller in the field of psychological suspense." —Abilene Reporter-News

  "Sharp as a scalpel.. . Scary as hell. Leslie Glass is Lady McBain." —Nezu York Times bestselling author Michael Palmer

  "If you're a Thomas Harris fan anxiously awaiting the next installment of the 'Hannibal the Cannibal' series and looking for a new thriller to devour, you'll find it in Burning Time." —Fort Lauderdale Sun-Sentinel

  "A suspenseful story in which those who appear to be sane may actually harbor the darkest secrets of all."

  —Mostly Murder

  "The plot is clever . .. and the ending is a genuine surprise. Woo is so appealing a protagonist that Leslie Glass can keep her going for a long time."

  —The Newark Star-Ledger

  "Glass writes a masterful police procedural. . . But it's her wonderfully rich portrait of smart, sensible, intrepid, stubborn April Woo that sets this book apart."

  —Booklist

  "Brilliant. . . Skillfully done."

  —The Tampa Tribune-Times

  "Glass does a masterful job of building suspense, and she's a wizard at creating believable, unforgettable characters." —Romantic Times

  'This series [is] a winner." —Mystery News

  "Tough, fast, edgy ... a layered and rewarding book."

  —Contra Costa Times

  ALSO BY LESLIE GLASS

  Tracking Time

  Stealing Time

  Judging Time

  ONYX

  Published by New American Library, a division of

  Penguin Putnam Inc., 375 Hudson Street,

  New York, New York 10014, U.S.A.

  Penguin Books Ltd, 80 Strand,

  London WC2R ORL, England

  Penguin Books Australia Ltd, Ringwood,

  Victoria, Australia

  Penguin Books Canada Ltd, 10 Alcom Avenue, Toronto, Ontario, Canada M4V 3B2 Penguin Books (N.Z.) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand

  Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England

  First published by Onyx, an imprint of New American Library, a division of Penguin Putnam Inc.

  First Printing, June 2002 10 98765432 1

  Copyright © Leslie Glass, 2002 Excerpt copyright © Leslie Glass, 2002 All rights reserved

  REGISTERED TRADEMARK—MARCA REGISTRADA

  Printed in the United States of America

  Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

  PUBLISHER'S NOTE

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED TO PROMOTE PRODUCTS OR SERVICES. FOR INFORMATION PLEASE WRITE TO PREMIUM MARKETING DIVISION, PENGUIN PUTNAM INC., 375 HUDSON STREET, NEW YORK, NEW YORK 10014.

  If you purchased this book without a cover you should be aware that this book is stolen property. It was reported as "unsold and destroyed" to the publisher and neither the author nor the publisher has received any payment for this "stripped book."

  For Alex and Lindsey

  ACKNOWLEDGMENTS

  For a decade the officers of the New York City Police Department and the New York City Police Foundation have been my constant source of inspiration. Every year I have a greater appreciation for the people who serve and defend New York City. This year more than ever before, I want to acknowledge and commend the NYPD for the courage of its personnel in all its departments and their profound commitment to protect the citizens of New York City no matter how perilous the job.

  Thanks especially to Commissioner Bernard Kerik and Deputy Commissioner Maureen Casey and all the top brass for their tireless caring for all the personnel in the department and for the people of New York in the toughest of times. I also want to thank Deputy Chief Dewey Fong for Chinese opera and the Borough of Queens, Inspector Barbara Sicilia for Hate, Detective Margaret Eng Wallace and Detective Ed Wallace for wedding photos and crime scene background, also Lieutenant Joe Blosis of the Crime Scene Unit. Thanks to Pam Delaney, Judy Dyna, Greg Roberts, and all my friends at Crime Stoppers and the Police Foundation for all the good they do.

  Two years ago I ran a contest on my Web site. The prize: the winner would appear as a character in my next book. Seems a long time ago, but we do have a winner. His name is Anthony Price. He's a Welsh butler now living on the north shore of Long Island. I interviewed Anthony, changed his name from Price to Pryce, and made up a family for him. Here he is, probably not as sinister as he would like to be.

  I am deeply grateful for the friendship and help of Dorothy Harris, director of the Leslie Glass Foundation and perpetual reader and advisor, for being with me every step of the way. Dr. Rosemary Perez Foster of New York University's Ehrenkranz Sch
ool of Social Work, and Dr. Linda Mills of New York University's School of Law have provided insight into the psychology of traumatized immigrants and the Orthodox community. Claudia Oberweger, C.S.W., C.A.S.A.C., has taught me a great deal about substance and alcohol abuse. Thanks to Nancy Yost and Audrey LaFehr, Woo fans in all seasons.

  One

  On May ninth, at three-thirty in the afternoon, two months after her eighteenth birthday, Tovah Schoenfeld was getting dressed for her wedding and living the last half hour of her life. She was in a downstairs room of Temple Shalom, near where the caterers were fussing over the last details of the reception and dinner to come. She was perspiring in her heavy bridal gown and very nervous.

  To get her married, Tovah's father and mother had tried to make all her dreams come true. Thus she was wearing a Tang Ling gown of white satin covered with lace and seed pearls, unlike anything her friends had ever seen. Her dream had been for a sleeveless gown, something cut down below the hollow in her neck, but exposing skin was not allowed. So this dress was a waterfall that completely enveloped her. Folds of it tumbled down from her shoulders in a wide swath of puddling, snowy silk that weighed a ton and completely hid her beautiful figure.

  A jewel neckline tightly encircled her neck. The dress had no waist, and the princess style nipped in only the slightest bit under her breasts so that hardly a curve could be detected. Tovah's arms were encased to the wrists, and her veil, not yet attached to her hair, was outrageously voluminous and would cover her from head to foot. For such modesty the price had been nearly ten thousand dollars. Kim, the fitter from Tang Ling who'd made the dress and personally sewn on every pearl by hand, had come all the way out to Riverdale to dress her.

  Tovah was supposed to reign supreme on her wedding day, and her hair was being styled to be seen in public for the last time in her life. Tovah had long fair hair that curled naturally, and she didn't want to cover it. Her mother had bought her a natural-looking shetl for more than three thousand dollars and begged her to put on the wig when she and Schmuel were alone for a few minutes after the ceremony. But Tovah wanted to save it for tomorrow night, the first of the traditional seven postwedding dinners that friends were giving for them. Tovah and her mother were still arguing about the wearing of the wig when her familiar nausea took hold of her.

  The crowded room was cluttered with hanging racks of gowns and dresses for now and later, hair dryers, makeup cases, tables with mirrors, combs, containers of hair spray. Tovah's mother, Suri, was in there, her grandmother, Bubba, three of her five sisters, a photographer, a hairdresser, and a makeup artist. The girls were noisy. Tovah's mother was scolding them for running around. Bubba was scolding her for scolding. There wasn't enough air, and Tovah was worried about doing the right thing. Tovah didn't really want to get married. Had she chosen the right boy? She hardly knew him, and he'd looked so young when she'd seen him a week ago. He was shorter than she was; she couldn't even wear real heels with her wedding dress. And he didn't have to shave. She hadn't seemed to notice this the few times they'd dated. She'd been so frightened she could barely look at him.

  Wendy, the party planner, was giving her a funny look, and suddenly she was fainting in the heat of the room. She was sweating in the dress. Her mother was getting more irritable. That look crossed Suri's face: Don't make trouble, Tovah. Don't get sick and have a headache. Don't act crazy.

  "Kim, come in here," Wendy called out the door. "It's time to rock and roll."

  Kim appeared at the door, smiling and bowing. "Everything all right, beautiful girl?" he asked. "Not worried anymore?"

  Water filled Tovah's mouth. "Still worried," she whispered.

  Suri and Bubba, in their own long gowns, both stopped yelling and exchanged looks. Surely, among the thousands of boys and girls matched up at the tender age of eighteen by their parents according to taste, disposition, and the financial worth of their parents, Tovah had to be about the most difficult. That was the story their rolling eyes told. Suri started scolding.

  "Tovah, Schmuel and his family are here. The rabbi is waiting. Your father is waiting. You look beautiful; you're the luckiest bride in the world. It's time to get that veil on."

  Tovah was white. But how could she be sure she was doing the right thing? The rule was you couldn't see or speak to your husband-to-be for a week before the wedding. Now she couldn't remember Schmuel's face or even recognize her own in the mirror in front of her. She'd never worn makeup before, just a little lipstick on their first date. Outside, she could hear people clinking glasses, talking loudly in the party room so extravagantly decorated. Guests who'd come from far away were already eating canapes and carrying on over the twenty varieties of roses and lilies in the centerpieces while they waited for the ceremony to start.

  "Give her something sweet, a hard candy, quick." Bubba jockeyed for control.

  "Beautiful girl, everyone is like this, nervous at first," Kim said softly.

  Wendy grabbed Tovah's hands, chafed them. "Candy!" she commanded.

  Suri pulled the wrapper off a lemon drop and stuffed it into Tovah's mouth. "There you go. Sweets for the sweet." She pushed the hairdresser out of the way. "Get out of the way, Penny. Give her some air. It's very hot in here."

  "Penny, please step outside for a second. I'll get the veil on her." Wendy took over.

  Then Tovah was on her feet. Wendy fluffed her hair and patted her on the back. Kim slid behind her and began fussing with the folds and the veil. While he worked, he murmured to Tovah as if she were a child, encouraging her and telling her she looked magnificent.

  "Magnificent," Wendy agreed. "The best yet."

  But something was wrong. Tovah was so numb she couldn't feel her feet moving her out of the room. She couldn't make real what was happening in the rabbi's study. She was aware of Schmuel, a skinny redheaded kid, dressed in a tuxedo that made him look more like a bar mitvah boy than a husband. He had blue eyes, too, chosen in part so they would have handsome, light-skinned children. His father was grinning. Her father too. The rest was a blank, the words, the signing of papers, the business being done. All she could feel was her cold sweat inside the magnificent dress. Why did she have to be the only girl in the world who didn't want to marry?

  And then the business was done, and the rabbi ushered Schmuel and his mother and father out of his study. Tovah and her parents were following. Now she could hear the music. Her father was on one side of her. Her mother on the other. Each clutched one of her arms, almost holding her up. They began their walk. From the side door up the aisle of the women's section they came. The partition between the men's and women's sections had been removed so the whole congregation could see them: a magnificent trio, rich and beautiful. Tovah and her parents turned when they reached the back of the sanctuary, then headed for the center aisle that separated the men from the women.

  There, the width of Tovah's dress prevented the parents and bride from walking abreast. Tovah's mother and father let go of her arms and moved down the aisle first. Because there were no flower girls, no ring bearer, no bridesmaids, Tovah walked alone. It was for this reason that her killer had a clear sight line of her. First her head, covered in lace and tulle, bobbed in the rifle's sights. All eyes were focused on her forward movement, not the empty lobby behind her where the doors were closed and no one was on guard in this safe, safe neighborhood. The bride's head was in the sights, then the cascade of silk falling from Tovah's shoulders. The shooter never shifted the rifle sights to the wall of men and boys in their black suits and skullcaps or the mass of women and children, agog at the richness of Tovah's gown. The people were all well fed and fat. So healthy and rich. Suddenly the barrel of the gun did shift to the crowd, but only for a moment. There was no choice but to fire. Even in five seconds it would be too late. Tovah would be surrounded. She'd be in front of the man with the black robes and white shawl, family on all sides. It would be too late.

  No more pain in this life. Salvation was now. The short volley of shots came with a
muffled sound. A kind of phumfping. The bullets slammed through the tulle and satin into Tovah's back. She pitched forward without uttering so much as a gurgle. A man in the first row jumped to help her up. At first no one guessed what had happened. It was so easy, so very easy. The bride went down, and it took almost a full minute for anyone to realize she'd been shot. The killer was out the door and gone before the screaming even started.

  Two

  Detective Sergeant April Woo fiddled with her chopsticks at a window table in Soong Fat's Best Noodle House on Main Street in Hushing, Queens. At four-fifteen on Sunday she was on a busman's holiday, doing a favor on her day off for her sister-cousin, Ching, who was neither a sister nor a cousin. Ching was the third daughter of her mother's friend, Mai Ma Dong, whom April had always called Auntie out of respect. She and Ching had known each other from birth, had shared the same crib, had played together as children, had stuffed themselves and yawned at countless family occasions, had stayed at each other's houses and been compared against each other enough by their highly competitive mothers to make them feel in equal measures the love and wrath of siblings.

  Ching was very smart, had a business degree, and a great job at a stable Internet company. She was a rising star. If that wasn't enough to cause April's mother, Sai Yuan Woo, a serious loss of face in light of April's low-class work in law enforcement, Ching was getting married in two weeks to Matthew Tan, against whom April's own Latino lover, Lieutenant Mike Sanchez, stood as a poisonous threat to the purity of all the Han peoples. Ching was getting married and April was doing her a favor. She'd agreed to talk to Matthew's friend, Gao Wan, in the heart of Queens on a Sunday because it was also a good place to go food shopping for her mother.